Exploitation Retrospect | The Journal of Junk Culture and Fringe Media

Austin Powers: The Spy Who Shagged Me (1999)
New Line Home Video | Review by Dan Taylor

Austin Powers: The Spy Who Shagged MeThe original AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY, released to little fanfare and less critical acclaim back in the spring of 1997 became one of those unique cinematic success stories. Though its box office take of about $50 million was impressive (especially considering the $18 million budget), it was the phenomenal video, laser and DVD sales (themselves in excess of $50 mill) that paved the way for this highly anticipated sequel.

Once again, filmgoers are forced to take home the lesson that bigger isn't necessarily better.

Which isn't to say that THE SPY WHO SHAGGED ME is bad or even a disappointment. It's just another in a series of sequels that fails to live up to: a) the original; and b) the hype.

Picking up precisely where AP: IMOM left off, AP: TSWSM finds our hero once again matching wits with his arch nemesis Dr. Evil (again played by star Mike Meyers). Despite a slow opening (and tedious credit sequence that overdoes one of the original's lesser scenes), the flick kicks into high gear once Dr. Evil and his motley crue — including Robert Wagner as a scarred No. 2 and Seth Green as Dr. Evil's "quasi evil" son Scott — are reunited in a Starbucks. (And that's just one of the pesky product placements that turn up in TSHSM, though it is the funniest.)

While world domination's still on his mind, Dr. Evil also plans to steal Austin Powers' mojo (think of it as "The Force") with the help of a renegade Scottish guard named Fat Bastard, played by (who else?) Meyers under a ton of makeup in what has to be the most loathsome portrayal of a Scot in screen history. This corpulent henchman makes Goldfinger look bulimic, complete with folds of flesh and a penchant for spitting while he talks. And we won't even mention his taste for babies!

Courtesy of a time machine, the flick drops Dr. Evil, the brilliant creation Mini-Me and Austin back in swinging 1969 London, providing another opportunity for set pieces, dance sequences and the like. Unfortunately, some of the best gags from the first flick are repeated here, giving it less the feel of a sequel and more the feel of a remake for those that weren't hip enough to see the first installment.

Perhaps what's really missing from THE SPY WHO SHAGGED ME is a heart. Despite its comedic nature, we actually cared for Austin in the first film. He was the ultimate fish out of water, caught in a time when everything he stood for was gone. Here he's almost an afterthought, with all the good scenes and dialogue belonging to Dr. Evil, Mini-Me, Fat Bastard and Scott. And though she may look fab in her super-short minis and Ursala Andress-like bikini, Heather Graham pulls up sorta lame in the acting chops department. Geez, who thought that Elizabeth Hurley'd be missed?

I don't want to sound like I'm coming down too hard on the flick. Yes, I laughed. In fact, I laughed plenty. Yes, I'll probably go see it again. It's just unfortunate that Meyers took 2 years to make a film in which a good 25% of the material is either lifted from the original or wouldn't have made the grade for that flick.

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