Exploitation Retrospect | The Journal of Junk Culture and Fringe Media

Birds of Prey (Pilot, 2002)
The WB Network | Review by Dan Taylor

Birds of Prey on the WBI suppose it was inevitable.

With the success of SMALLVILLE, last season's Superman-Meets-Dawson's-Creek reinvention, it was only a matter of time before Warner Bros. (owners of DC Comics characters) plundered the vaults for another title to turn into a weekly WB series.

And if you're gonna plunder the vaults, why not tap the deep, dark legacy of the Caped Crusader?

BATMAN projects have been all the rage the last few years, though few of them are close to seeing the light of day. Newspapers and magazines have been filled with everything from new cinematic projects (BATMAN: YEAR ONE, BATMAN BEYOND, BATMAN VS. SUPERMAN) to a Brodway musical penned by Jim Steinman and directed by Tim Burton. Unfortunately, about the only places to get a dose of the Dark Knight these days have been at the newsstand or on Cartoon Network.

But all of that's about to change with the upcoming premiere of BIRDS OF PREY, a Batman spin-off that still has plenty of the old boy's feel even if he's nothing more than a shadowy presence in the storyline.

BIRDS takes place in New Gotham, a town forever changed by events that occurred on a rainy night seven years ago. In the aftermath of a battle with a "shadowy madman known as The Joker," socialite Selina Kyle is murdered in front of her daughter Helena (Ashley Scott) while Batgirl (Dinah Meyer) is shot and left for dead by the Clown Prince of Crime himself.

Kyle, for those of you not hip to the Batman mythos, is none other than Catwoman, the sexy jewel thief and lover of... you guessed it, Bruce Wayne aka Batman. Which makes Helena the offspring of Gotham's greatest defender and one of its arch villains. So much for mixing business with pleasure!

With his galpal knifed and sidekick paralyzed by the Joker's bullet, Bats goes a little, well, batty and takes a powder. Batgirl (aka Barbara Gordon) takes the whole thing a bit better, and though confined to a wheelchair, embarks on a new crime-fighting career as Oracle, a computer whiz who has teamed up with Helena, now known as Huntress. Oh, and there's a psychic teenager named Dinah (Rachel Skarsten) who has arrived in New Gotham looking for Huntress and Oracle after seeing them in her visions.

Dinah Meyer as Batgirl/OracleWhew... got all that? Good, 'cause the show's producers waste no time in establishing this framework and throwing us right into a mystery involving the apparent suicides of prominent businessmen. Are the deaths connected? Is the whole thing somehow related to the events of seven years ago? More importantly, are we gonna get Meyer out of the wheelchair and into the Batgirl costume each week?

As a big fan of both SMALLVILLE and Batman, I wasn't sure what to expect with BIRDS. The show is definitely "superhero" oriented, yet still works in plenty of off-beat touches that should make it worth a weekly visit. The interpersonal relationships might seem better suited to DAWSON'S CREEK or 7TH HEAVEN, but throw in some sly nods to comic history and the Batman mythos and we've got a keeper on our hands.

Geeky nitpicking aside, BIRDS OF PREY is probably the best superhero show to hit the tube since the late, lamented version of THE FLASH. Do I smell a sweeps week appearance by the Caper Crusader or a SMALLVILLE crossover???

One question, though. We've always been told that Batman's only real super "power" is his keen detective skills. So how come the Dark Knight Detective never figured out that Helena is his daughter?
 

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