RCA Home Video | Review by Dan Taylor
For
those of you who aren't paying attention,
this is Chuck Russell's glopolaized remake
of the 1958 Steve McQueen camp classic.
Russell, responsible for the well-done third
installment of the ELM STREET series, continues
his winning ways with this excellent, inventive,
gory, fun horror flick that holds fast to
one of Joe Bob Briggs's all-important requirements:
"Anybody can die at any time!!!"
Kevin Dillon stars as the
town tough-guy, a leather-wearin', beer-drinkin',
motorcycle-ridin', earring-sportin' rebel
who inadvertently stumbles upon a drunk
who's been "blobbed." This brings
him into direct contact with Shawnee Smith
(the preggo chick from SUMMER SCHOOL) and
Donovan Leitch (son of 60s singer Donovan
and brother of thespian Ione Skye). In an
excellent hospital scene Leitch, the nominal
hero, gets blobbed and Dillon inexplicably
gets blamed for the murder The sheriff here
is played by the same guy who played the
sheriff in THE HITCHER (can you say "typecast"?)
and his deputy is the slimy weasel guy that
gets toxic-wasted in ROBOCOP.
Soon, the blob is running,
er oozing, rampant all over town, eating
everything in its path including Candy Clark
and our beloved sheriff in a tremendously
effective scene. Dillon and Smith are forced
to team up when government "medical
experts" quarantine the town in an
interesting and effective twist reminiscent
of Romero's THE CRAZIES. Here, the film
retains its homage to the original, but
also verges into new territory to satisfy
us conspiracy-minded viewers.
Eventually Smith and Dillon
save the day, but not before we get some
excellent deaths, great tough guy standoffs,
a killer revision on the movie theatre scene,
some brilliant acting from ER fav Art LeFleur
(TRANCERS, ZONE TROOPERS) as Smith's dad,
an appearance by the deceased Jack Nance
and fantastic behind-the-scenes work from
Dillon's hairdresser who keeps the stars
flowing locks from looking mussed as he
saves the world.
The $20 million budget is
all visible on screen, although some of
the matte work is pretty cheesy. However,
the sum of the parts more than make up for
a few minor gaffes, and the twist ending
is effective instead of groanable. Way to
go!