Exploitation Retrospect | The Journal of Junk Culture and Fringe Media
Fire Down Below (1997)
Warner Bros. Home Video | Review by Dan Taylor

I love reading review quotes on film boxes.

I was still a little sleepy this morning when I grabbed FIRE DOWN BELOW, the latest entry in the Steven Seagal filmography. A filmography, mind you, that's expanding as quickly as the action star's waistline.

A quote, prominently featured on the back of the box, read: "The best Steven Seagal film since UNDER SIEGE." Which means it's better than the cartoonishly violent ON DEADLY GROUND, the underrated UNDER SIEGE 2, and the thoroughly unwatchable THE GLIMMER MAN. Alright, I'm game, bring it on Big Steve.

For those of you that have seen ON DEADLY GROUND (and if you haven't, you simply don't know what you're missing!), I can sum up FDB in five words or less: "White Trash ON DEADLY GROUND." Instead of that film's oppressed Eskimos we have inbred hillbillies. Instead of a deadly oil refinery we've got toxic waste. Instead of an evil oil baron (Michael Caine) we've got an evil senator (Kris Kristofferson). And the similarities go on, and on, and on.

Unfortunately, the jaw-dropping, over-the-top, paint-the-screen-red mayhem of ODG is replaced by a kinder, gentler violence that has a sinister, sped-up quality to it. Perhaps, and this is only a supposition, ol' Steve can't move like he did in the old days. The days of ABOVE THE LAW or OUT FOR JUSTICE when a broom handle or cue ball wrapped in a sock was more than enough to clear the streets of stereotypical punks from Central Casting.

For those Seagal completists in the audience (and I happen to be one of them), this has all the hallmarks of classic Seagal: conspiracy theory dialogue; sacrificial lambs; silly romantic interest; soft-spoken Seagal; lines like "How do you want it?," which would be just as at home in an all-male porno; and an action hero who's incapable of realistically holding a gun! This makes two duds in a row from Seagal, so we can only hope that this year's THE PATRIOT (a two-word title) is a return to form.

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