Exploitation Retrospect | The Journal of Junk Culture and Fringe Media

Ghosts of Mars (2001)
Review by Dan Taylor

John Carpenter's GHOSTS OF MARSIt takes a special kind of director to create an homage to himself. But that's pretty much what John Carpenter has done with GHOSTS OF MARS, also known as JOHN CARPENTER'S GHOSTS OF MARS, but writing that just seems tacky.

Carpenter, of course, is the man who has helmed such classics in the horror, sci-fi, and action genres as HALLOWEEN, THE THING, THEY LIVE, ESCAPE FROM NEW YORK, etc. His recent efforts have been spotty at best, with the dreary PRINCE OF DARKNESS, the silly ESCAPE FROM LA, and the rousing but somewhat un-Carpenteresque VAMPYRES. With GHOSTS OF MARS it's nice to see the ol' master hitting his stride again.

Set on a dusty, red-tinged Martian outpost, GOM picks up elements from flicks throughout JC's career, including the son of a bitch with a soul (ESCAPE FROM NEW YORK), the jail under siege (ASSAULT ON PRECINCT 13), the ticking bomb (also ESCAPE), and the sneaky, invisible villain that takes possession of the group members (PRINCE OF DARKNESS). Rapper Ice Cube gets top-billed as "Desolation" Williams, a prisoner awaiting transfer who must decide if he's gonna side with the cops in order to have a fighting chance. Natasha Henstridge (SPECIES, MAXIMUM RISK) is the Mars Police Force cop who relates the flick's framework story after she's discovered unconscious and handcuffed on an abandoned freight train. Everybody else is FDA (Future Dead of America, or should that be Mars?), but we have fun getting there.

Yes, GHOSTS OF MARS is a check your brain at the door action-sci-fi flick loaded with hand-to-hand combat, a bushelful of decapitations and assorted hackings. Yes, it's essentially a futuristic western set on Mars. And just what the hell is wrong with that?

Given my choice of rappers I'd probably rather have seen Ice-T in the lead role (Cube comes off as a bit cherubic and stiff early on), but the former NWA member warms up to the role as the flick progresses and has fun – along with the audience – in the last 20 minutes.

In a summer filled with surprises (FAST AND THE FURIOUS, CATS & DOGS) and stupendous disappointments (THE OTHERS, PLANET OF THE APES), GHOSTS OF MARS is a welcome, message-free way to spend an evening.

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