Exploitation Retrospect | The Journal of Junk Culture and Fringe Media
The Glimmer Man (1996)
Warner Bros. Home Video | Review by Dan Taylor

We all make mistakes in life. Some are more glaring than others. Some, unfortunately, are made in public. Warner Bros. and I are both guilty, but at least I don't have any witnesses.

Me? I have a pretty set routine when it comes to checking out a Steven Seagal flick. Despite their often incomprehensible plots filled with shadowy hit men and international conspiracies, I just buy my ticket and check my brain at the door. While I usually need my cerebral cortex to appreciate the bilingual mish-mash of a Van Damme or the "how'd they do that?" stuntwork of a Chan set piece, Seagal's recent output hasn't required that much in the way of smarts. In fact, flip to the "Off" position and everything from OUT FOR JUSTICE to UNDER SIEGE 2 becomes not just "watchable," but downright "enjoyable." And that includes ON DEADLY GROUND, big Steve's unfairly-maligned directorial debut.

I quickly realize my mistake when I start pinpointing their mistake...they make Seagal act. Worse yet, they make Seagal act funny. Unfortunately, once the flick starts the "Brain Check Room" is closed. Uh-oh.

THE GLIMMER MAN is another in a long line of ebony & ivory action flicks that attempts to offset its bone-shattering, wife-crucifying, window-breaking, ass-kicking plotline with a lethal dose of witty banter from the leads. LETHAL WEAPON makes it work, NUMBER ONE WITH A BULLET don't. THE LAST BOY SCOUT makes it work, THE GLIMMER MAN don't.

Even Keenan Ivory Wayans -- who seems to be competing with brother Damon (CELTIC PRIDE, BULLETPROOF, BLANKMAN) for worst career choices by age 40 -- comes across only slightly better than Seagal. His "tough" cop persona seems to be a cover for his sentimental side -- he cries at CASABLANCA and collects old movie memorabilia. So this is what passes for character development these days? Hell, at least the Pillsbury Doughcop's character has a background story, lame though it may be.

Which brings us to the end. In ABOVE THE LAW, Seagal was a doughy-but-believable fighter, dispatching goons and cretins with a vicious defensive stance. At this point, his expanding girth and flashless fighting leaves me wondering -- how do these stuntmen show their face back in Hong Kong? Gettin' your ass kicked by action/adventure's own Michelin Tire Man can't be a real career-booster.

His enemies may not be able to, but you can avoid THE GLIMMER MAN.

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