Exploitation Retrospect | The Journal of Junk Culture and Fringe Media
Legend of the Seven Golden Vampires (1973)
Review by Fidge Dextro

Hyped as the first kung-fu vampire movie, this unequal collaboration between the Shaw Brothers (99%) and Hammer Studios (1%) looks more like a Godzilla-style insert job than a fusion of Chinese and European folklore. It's not terrible for a marketing scheme movie, but would have worked better as straight chop socky.

The year is 1804 and The Malevolent Seven have lost their powers. They send their high priest Kah (Shen Chan) to Transylvania so he can ask Count Dracula (a heavily rouged John Forbes-Robertson) for a jump. Drac doesn't do favors and he's about to wring Kah's neck when the Prince of Darkness suddenly reconsiders. Seems the poor guy is sick and tired of his drab and dusty castle and desperately needs a vacation. He agrees to help recharge the 7, but first has to take over Kah's body in order to travel. Why, you ask? Who knows? Nothing is ever explained in this movie and you just have to accept things as they go along.

Fast-forward 100 years. That may seem like a long time to get things going, but remember what I just said. Anyhow, we're in China now and guess who's teaching a course on folklore at Chungking University? It's none other than everyone's favorite vampire hunter, Professor Van Helsing (Peter Cushing). Hsi Ching (David Chiang), a student who lost his grandfather to the Golden Vampires, approaches Van Helsing with a proposal. Ching and his family have trained their entire lives to avenge the old man and he wants VH to join them for the final showdown. The professor is game, but he points out the journey will take enormous funding and no one has enough money. Enter deux ex machina Vanessa Buren (Julie Ege), a wealthy Scandinavian globetrotter looking for excitement. She also happens to be a big fan of Van Helsing and offers to put up the cash if she can tag along. Quicker than you can say chop suey...

From here on, the movie is a series of bloody martial arts set pieces interrupted by Hammer's boring 1% influence. The good guys are always outnumbered about 20 to 1 because Kah/Dracula (remember him?) has the ability to raise an army of zombies with the simple bang of a gong. They look very reminiscent of The Blind Dead, yet have the unfortunate but hilarious tendency to skip and hop in slow motion. Give 'em a good punch in the chest and they drop like flies. As for the Golden Vampires, it's a wonder how these pathetic creatures ever came to power in the first place. They wear gold bat masks to hide faces covered with dried oatmeal. They have no superhuman strength, so anyone has a fair chance in hand-to-hand combat. You can also set these jokers on fire, so it becomes ludicrous that anyone, let alone an entire village, would hide in mortal fear. But, oh yeah, I forgot. Just accept it and move along.

I first saw this on TV in a heavily edited version called THE 7 BROTHERS MEET DRACULA. That's an amazing title when you consider there's no 7 brothers and aside from Kah and one other character (guess who), no one meets Dracula. This version turns an implausible story into an incoherent mess. However, some viewers may find the quicker pacing and greater emphasis on blood and nudity to be an improvement. Luckily, Anchor Bay's DVD includes both versions. I'd advise watching the original cut first, then decide if the butchering (15 minutes from 89) helps or hinders. You can also view a trailer with the even more outrageous title, THE SEVEN BROTHERS AND THEIR ONE SISTER MEETS DRACULA. Shih Szu plays the "sister".

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