Columbia/Tri-Star
Home Video | Review by Dan Taylor
I
hate it when I get the wool pulled over
my eyes. Like the time I thought the Spice
Girls were going to be on a talk show to
discuss how to kick your meals up a notch
with garden herbs. Or the time I visited
"Spider-Man" at the Two Guys store
and he turned out to be nothing more than my brother's buddy Leo.
I had that same horrible feeling
while I watched THE REPLACEMENT KILLERS
with Chow Yun Fat and Mira Sorvino. I'm
a huge fan of the seminal 80s power-trash
band, The Replacements. In fact, they're
easily my favorite band of all-time and
the ONLY bad I've interviewed that I requested
an autograph from (being a fanboy sorta
kills the whole journalistic integrity angle).
So, I figured -- from the
ads AND some highly suspect plot synopsis
delivered by now-former friends -- that
the flick was about some cool-ass Hong Kong
motherfucker trying to stop a great 80s
power-trash band from being assassinated!
Cool! A wicked mix of Scooby-Doo and
THE KILLER, right?!
WRONG!
Unfortunately, THE REPLACEMENT
KILLERS is a C-grade Hong Kong-wannabe flick
directed by a guy that does videos (Antoine
Fuqua). And while the presence of an Oscar-winning
actress (Sorvino, remember?) might make
you pause for a moment and think this is
gonna be some kind of highbrow endeavor,
don't be fooled. The plot, as it were, involves
Chow seeking a passport because he wouldn't
pull off his final hit, the one that would
clear his markers with the local bad guys,
including Jurgen "Can't I Play a Good
Guy Just Once?!" Prochnow. Sorvino
plays a hip counterfieter who dresses like
Madonna in DESPERATELY SEEKING SUSAN.
Despite Chow's presence (a
cool mutha even in a bad flick) and an uncredited
Al "Endo" Leong, TRK is an unmemorable
mish-mash of obligatory dialogue scenes
sandwiched between chase sequences and gun
battles ripe with attempts at John Woo-like
symbolism.