Exploitation Retrospect | The Journal of Junk Culture and Fringe Media
Sex and Fury (1973)
Panik House | Review by Curt Purcell

This is the first of Toei's two "Elder Sister" movies, the other being FEMALE YAKUZA TALE, both given fine DVD treatment by Panik House as part of the Pinky Violence Collection.

I should start with a disclaimer: the first film that I've seen in this genre was KILL BILL. I've enjoyed nearly all the Asian cinema I've seen, but I haven't seen enough to honestly call myself a fan, far less to speak with any authority on the subject. Having said that, SEX AND FURY blew me away!

A little girl witnesses her father's murder. He's ambushed by three assassins before her eyes, and as he lies dying, his bloody fingers hold up three of the playing cards he's dropped: the deer, the boar, and the butterfly. I didn't realize it until further into my first viewing, but here we have this movie's "Death List Five" (or rather, Three). Each card indicates an assassin, in a surprisingly straightforward manner--the murderers actually have the playing card images tattooed on their backs!

The experience proves to be very formative. The girl grows into a Yakuza gambler with the card images tattooed on her shoulder. In her hands, the cards are like deadly suriken, and even her alias of "Inoshika Ocho" refers to a card game. Most of all, though, her life is dedicated to finding the three assassins and exacting bloody vengeance. That's where the "sex and fury" come in, because she makes extravagant use of both toward that end.

Christina Lindberg makes a pre-THRILLER appearance as an Occidental foil to Reiko Ike's Ocho. She herself is a gambler, but also a British spy in a subplot glued onto the main story with generous dollops of coincidence. As you might expect, she provides some "sex and fury" of her own.

I found this movie stylish and fun overall, with a story and performances a notch or two above my expectations--but one scene in particular is simply incandescent. Ocho is ambushed in her bath. She jumps out of the tub, grabs a sword, and then, stark naked, she proceeds to slaughter her assailants. Let me tell you, there's nothing like seeing arterial spray hit breasts that are still bouncing from the sword-stroke! Without a stitch of clothing (much less a GAME OF DEATH jumpsuit), Ocho takes the fight outside into the snow, and delivers a limb-lopping massacre that paints the garden red. This scene is real movie magic, a kind of dream or ideal projected on the screen. It's not so much a highlight as a moment of transcendence, and it's certainly worth the price of admission.

Chris D (not the rapper, but the American Cinematheque Film Programmer) provides an audio commentary and the essay, "Toei's Bad Girl Cinema." Both seemed helpful and informative, but like I said, I'm no expert, so our mileage may vary. In any case, if you're a genre junkie with a taste for the exotic, there's no question whatsoever – SEX AND FURY is must-see!

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